The routine ends as Astaire, now dancing with a statue, is interrupted by Rogers' entrance, [4] a scene which, as in The Gay Divorcee and Roberta , typifies the way in which Astaire inadvertently incurs the hostility of Rogers, only to find her attractive and wear down her resistance
Made from lavish satin, this mini dress has a figure-hugging bodice and a puffy mini skirt
[10] [20] [28] [34] In some versions, this is extended to a knot in the centre of the front (underage or non-disclosing) or the centre of the back (widow, waitress or child)
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To bring her vision to life, Eugenie worked with designers Peter Pilotto and Christopher De Vos to create a corseted long sleeve ball gown with a full pleated skirt