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For understated sophistication, a smooth satin A-line silhouette offers a graceful, timeless effect
This dress was considered very short, considering the time period
In their article Very Much the Taste and Various are the Makes: Reconsidering the Late-Eighteenth-Century Robe la Polonaise (2013) Kendra Van Cleave and Brooke Welborn explain that the cut of the bodice was crucial: Polonaises seen in eighteenth-century sources nearly all featured an over-gown or jacket constructed of four pieces (two backs and two fronts) cut without a waist seam On all depictions studied, the robe met center-front at the neckline
House of CB was founded from her desire to create daring cocktail dresses in beautiful colours and fabrics
Gestures, Cloathes, Dowre &c., in The Anatomy of Melancholy: [], 2nd edition, Oxford, Oxfordshire: [] John Lichfield and James Short, for Henry Cripps, OCLC, partition 3, section 2, member 2, subsection 3, page 376: [] Anthony [ i.e
