Slavery and the Invention of Dutch Art Manar Sweillam Morales Frank Baum's Tin Woodsman of

Frank Baum's Tin Woodsman of Oz

and Tribades in Eighteenth-Century France provides a foundational primary text for the study and teaching of the history of sexuality

The impact of the stars as an influence on human

and many of the stories from this time remain hidden: A Catholic nun from a small Midwestern town packs up her life to move to New York City

this engaging collection of essays reveals the forces that shape (and are shaped by) everyday objects

Slavery and the Invention of Dutch Art Manar Sweillam Morales Frank Baum's Tin Woodsman ofIn Slavery and the Invention of Dutch Art, Caroline Fowler examines the fundamental role of the transatlantic slave trade in the production and evolution of seventeenth century Dutch art. Whereas the sixteenth century image debates in Europe engaged with crises around the representation of divinity, Fowler argues that the rise of the transatlantic slave trade created a visual field of uncertainty around picturing the transformation of life into