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giving the colours a density and luminosity that watercolour alone cannot achieve
and placed his cardinals honestly within it
The composition is low and horizontal
sketching the same wing positions over and over until the geometry of the dive became second nature
Glen's winter landscapes document the Canadian season at its most austere and most honest — not the picturesque postcard winter but the long
Canada Lynx Portrait — Giclée on Paper Paper Type:Archival Matte Paper giving the colours a densityThe lynx fills the frame a full face graphite portrait, the eyes pale and direct, the facial ruff enormous and dense with pencilled hair. There is nowhere to look except directly back at the animal. Glen rendered the lynx's face with the meticulous graphite work that distinguished his drawing practice from his watercolours: every individual strand of the ruff suggested rather than laboured, the eyes caught with a quality of attention that photographs
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