Williams employed a live-on-the-floor production ethic that not only had the musicians playing together-a relative rarity on major label rock recordings-but playing without the isolation/separation that producers use to keep the sound of each instrument from bleeding into the other musicians' microphones
from the swampy Chicago blues number "Final Days" (featuring fiery harmonica from Grammy Award-nominated singer and Wet Willie frontman Jimmy Hall) to a timely rendition of John Lennon's still-relevant "Gimme Some Truth"
Morrison Hotel (sometimes referred to as Hard Rock Café from the title of the first side of the LP
bringing them together with the additional three from the demo
This is the "new" heavier three-piece version of The Hussy
Sam Fender - "Seventeen Going Under" label_RKid Recordings Williams employed a live-on-the-floor productionAlmost two years since the release of Sam Fender's critically acclaimed debut album, Hypersonic Missiles, debuted at #1 on the UK album chart, he now readies it's follow up. Seventeen Going Under is a coming of age story. It's the story of a young teen losing his innocence, but then finding strength to stagger blindly into adulthood and all that entails.