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Feminism and the Cinema of Experience Irvin Yalom and multimodality monitoring provide a

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Feminism and the Cinema of Experience Irvin Yalom and multimodality monitoring provide aFrom popular films like Greta Gerwig's Barbie (2023) to Chantal Akerman's avant garde classic Jeanne Dielman (1975), feminist cinema can provoke discomfort. Ambivalence, stasis, horror, cringe these and other affects refuse the resolution of feeling good or bad, leaving viewers questioning and disoriented. In Feminism and the Cinema of Experience, Lori Jo Marso examines how filmmakers scramble our senses to open up space for encountering and examining

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