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'Moving from a wry portrait of a husband musing on mortality whose Christmas tie lands in the gravy
teachers of Spanish
unprecedented change in schools to establish a school culture in which changemakers can thrive
It deserves to be read by everyone who thinks about autobiographical practice
extending over the terms of de Gaulle
Feminism and the Cinema of Experience Robert J. Wright 'Moving from a wry portraitFrom popular films like Greta Gerwig's Barbie (2023) to Chantal Akerman's avant garde classic Jeanne Dielman (1975), feminist cinema can provoke discomfort. Ambivalence, stasis, horror, cringe these and other affects refuse the resolution of feeling good or bad, leaving viewers questioning and disoriented. In Feminism and the Cinema of Experience, Lori Jo Marso examines how filmmakers scramble our senses to open up space for encountering and examining
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