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it looked like a spider crawling across his forehead
Master of Stillness illuminates the vision of the most celebrated of Australian expatriate artists
MOP championed experimentation
Oceanic Art Publisher / Fremantle Press we love the product theyThe dazzling colours and patterns of the art of the Pacific Islands have long entranced Western audiences, not least artists such as Gauguin and Picasso. The tendency has been to regard Oceanic art as primitive, mysterious and shrouded in taboo, but Nicholas Thomas, in looking at and beyond the familiar, stunning surfaces of masks and shields, carved canoe prows and feathered gods, discovers the significance of such objects, past and present, for the