When is the Present delete DEATH-DESIGN-DATA investigates the experience of

DEATH-DESIGN-DATA investigates the experience of death and grief in the digital era - one that is saturated with information yet finds itself devoid of rituality - and how art and design could play a role in reconciling humans with death

This includes a vinyl record and perforated pages that can be opened

Katrina Wiberg

the fourth issue of ETC

chromatic analogies

When is the Present delete DEATH-DESIGN-DATA investigates the experience ofWill Ashon looks to David Hockneys portrait My Mother, Bolton Abbey. The image is a joiner, a photo collage, of Laura Hockney made in 1982. Ashon creates a collage of his own, interviewing ten women of different ages and rearranging their responses; the result is a celebratory chorus and homage to the thoughts and memories that flourish when we lend our attention to an artwork.