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the first album in a decade from San Francisco shoegazers Young Prisms is a record that finds steadiness in the embrace of uncertainty
the cathartic four-on-the-floor of ‘world’s greatest emoter’ and the festival tent psychedelia of “Hi-fiver” need little in the way of exposition – these are exhilarating rock songs
referencing the arid and unvarnished production of no-wave and early indie rock while balancing carved-out angularity against an evolving comfort with textural coalescences and measured pacing
more contemplative headspace: "internal white noise subsided and we really started to appreciate the peace of our environment
Manatee Commune - Simultaneity (Black Vinyl) Dance * This is a PreSeattle's own Manatee Commune (aka Grant Eadie) makes his long awaited return to Bastard Jazz with his fourth album, 'Simultaneity'. Lush and vibrant production is familiar to his previous works, though Eadie has significantly matured in the activation of space and character. A step away from standard songwriting, and a total disassociation from lyrics at all, has made this record closer to the ambient genre than anything Manatee Commune has released,
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