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Faceless Eyes demonstrates how Ibara adapted Western horror cinema into the Japanese gekiga style
He is the son of a nobleman and a woman of lower status
The bold visual language anticipates the kinetic style that would later define 1960s shōnen manga
the revived Hidejin has become a monster cyborg with 100 times more power than he had when he was alive
cinematic style of manga that reshaped the medium in postwar Japan
Moonlight Mask | Gekkō Kamen | Chapter of Mercy pgs 26 & 27 | Kuwata & Kusunoki illustration Faceless Eyes demonstrates how IbaraPage published in the Shnen club supplement of March 1960 Media : pencil & ink on drawing paper Condition: Very good condition Size : 39 x 27 cm (2 pages on one sheet of paper) Double page where our hero takes the outfit of one of the vilains ! When all the vilains look alike, you can only tell them apart by their eyes : ) Moonlight Mask was Japan's answer to American series such as The Lone Ranger, Batman, Zorro and is considered Japan's first live
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