What Am I, A Deer? - Polly Barton Our writers and interviewees reach

Our writers and interviewees reach into the cavities of horniness

The photographs echo mid-century domesticity—gestures borrowed from the 1950s and ’60s—but subverted through the awareness and often overwrought angst of the 1990s

such as Jeanne Lanvin

They document the continent’s zeitgeist at a decisive period in the development of European unity

The intricate construction of the film’s tripartite structure is tracked through stills alongside Iñárritu’s handwritten notes devising the subtexts

What Am I, A Deer? - Polly Barton Our writers and interviewees reachWhat does it mean to lose yourself and is that something you should be aiming for? A young woman with little interest in games takes up a job in Frankfurt at a famous gaming company, naively set on reinvention. On her morning commute, in the familiar clutches of tedium and self loathing, she encounters a nice eyed stranger who returns her forgotten umbrella and finds herself catapulted into a dizzying, year long whirlwind of obsession not just with