Kiki Smith: New Work Books his relationship to early-twentieth-century American

his relationship to early-twentieth-century American painters

Benglis has stated that her intention was to create a work "ambiguous enough that it couldn’t be said what it was

Varying traits in Ghost Forest Seedlings include the number of seeds in each work

something that might even sink in without your quite noticing

[Irwin] once again invites us to savor the delightful contrast perceptual fluttering offers to the generic stability of quotidian

Kiki Smith: New Work Books his relationship to early-twentieth-century AmericanCharacterized by rainbow foil stamping on the cover board, kraft tape binding, and handmade marbled endpapers, this artist's book contains photomechanical reproductions and detail shots of work shown in Kiki Smiths 1995 solo exhibition at Pace in New York. Images of mixed media works, works on paper, and sculptures including oversized jewelry, all made by the American artist that year, appear in the tripartite book.