Beyond the Image: On Visual Culture in the Twenty-First Century - Alessandro Sbodrdoni For her non-Harlem (and mostly

For her non-Harlem (and mostly white) audience

- Nigel Peake

Joyful Plates of Food from my Edinburgh Studio

a gallery owner

a realm of bacchanalian self-determination founded by Dizzy Gillespie

Beyond the Image: On Visual Culture in the Twenty-First Century - Alessandro Sbodrdoni For her non-Harlem (and mostlyToday, we do not believe in images anymore. This incredulity is, in part, the product of technology. From brainrot to deepfakes, from NFTs to sloppy content, the function of the image is not representation but only the reproduction of capital. In the twentieth century, the machine automated the hands of workers; in the twenty first century, it automates the eyes of consumers. The conveyor belt is upgraded by scrolling. In the age of electronic